While many films of the time expected women to forgive and forget, Edadugulu allowed the female protagonist to express deep pain and resentment.
Scene featuring Vahini (female lead) catching her husband in a compromising situation with another woman. While many films of the time expected women
The rain intensifies. The last shot is not of her crying in the elevator. It is of Surya, alone in the bedroom, picking up the mangalsutra , his hand shaking. Meera has vanished. The silence is deafening. alone in the bedroom