The breath control of the horn players becomes a distinct element of the performance. You can hear the physical texture of Miles' Harmon mute, the rasp of Coltrane’s reeds, and the woody resonance of Paul Chambers' double bass as his fingers strike the strings. 3. The Pitch-Correction Factor
, this record abandoned the complex, frantic chord changes of Bebop for Modal Jazz Miles Davis - Kind Of Blue -1959- FLAC 24-96 SACD
: A track without a written melody, built entirely on a sequence of five distinct modes. Each soloist decides how long to stay in each mode before moving to the next, representing the ultimate realization of Davis’s modal philosophy. The 30th Street Studio Magic: The Analog Canvas The breath control of the horn players becomes