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Beginners often make the mistake of drawing a large nose simply because they notice the subject has a prominent nose. Redman taught that a nose only appears large because of its spatial relationship to the eyes, mouth, and chin. His work emphasizes three primary steps: Finding the dominant rhythm of the face.

: Know the exact, standard proportions of the average human head.

Once you understand the basic proportions and underlying geometry, Redman’s guide teaches you how to exaggerate those deviations effectively.

Are you primarily working with or digital tools ?

To successfully integrate Lenn Redman's methods into your daily art practice, follow this structured training regimen:

Draw the exaggerated overall head shape onto your action line. If the subject has a massive forehead and a tiny chin, draw an upside-down pear shape. If they have a heavy jaw, draw a regular pear shape. Step 4: Lock In the Eyes and Nose Relationship

—an "average" face used as a mental reference point. By comparing a subject's features to this baseline, artists can systematically identify what to exaggerate. Observation: