In the 1970s, feminist literary critic Joanna Russ wrote a scathing essay titled “The Shame of the Adventurer’s Wife,” using Tarzan and Jane as archetypes. Russ argued that Jane’s character arc across the novels is one of constant degradation. She transforms from a spirited, intelligent American woman—who can hold her own in conversation—into a silent, anxious figure waiting on the periphery of the narrative.
Instead of shooting in a standard studio, D'Amato moved the entire production to East Africa. This choice provided real wildlife, sweeping vistas, and authentic jungle settings. The film contrasts sharply with standard adult features of the era due to its focus on: tarzan and the shame of jane