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The meaning of the term "amateur" has shifted profoundly in South Korea’s digital age. Historically, it might have implied a lack of skill or a purely non-commercial hobby. However, contemporary reality presents a more nuanced picture: "professional-like amateurs" who produce high-quality audiovisual content on digital platforms, blurring the lines between casual creator and professional entertainer. One academic thesis on this phenomenon, “The Amateur: Digital Transindividuation in South Korea,” uses the concept of "transindividual activities" to describe how these creators, through platforms like AfreecaTV and webtoons, fulfill individual creative urges while also contributing to a new, collectively structured society.
The explosion of this media sector is driven by specific platform mechanics.